The Artificial Skins and Bones project seminar conducted by Prof. Mika Satomi and Prof. Wolf Jeschonnek is one of this year’s two recipients of a STARTS Prize awarded by the European Commission. Here’s a briefing on the Berlin Weißensee School of Art and work being done there.
“Can you hear me?” was a temporary network that artists Christoph Wachter and Mathias Jud set up above the rooftops of the German government district in Berlin to downright force intelligence agencies to listen in on what they and thousands of other people were saying. Besides getting the agents’ attention, the artists are also the recipients of a Golden Nica in the 2016 Prix Ars Electronica’s Interactive Art + category.
What remains of a person once his identity had been digitized? Can machines convey empathy? Will we carry on conversations with digital avatars in the future? These are the questions that young media artist Gregor Woschitz addresses in “mirror_0.2,” his installation that’s part of the “TIME OUT .06” exhibition now running at the Ars Electronica Center.
The Ars Electronica Futurelab is serving as scientific associate in conjunction with an innovative five-year series of special exhibitions at the TMW. Three exhibitions are planned for this „Weiter_Gedacht_“ series that premieres on June 8th and will run from 2016 to 2021.
Already the sixth edition of the exhibition series “TIME OUT” openes on June 6, 2016, at the Ars Electronica Center! This show staged in cooperation with Linz Art University showcases outstanding media art projects by undergrads in the school’s Time-based and Interactive Media program. One of the projects of TIME OUT .06 is the “In Vitro Typewriter” by Simon Krenn.
A school project entitled kameleon.ws is the recipient of the 2016 Prix Ars Electronica’s special netidee prize. Ernst Langmantel, one of the directors of netidee, told us what he especially likes about this project and briefed us on Austria’s largest campaign to support innovation online.
Mind the date: From September 8 to 12, 2016, the PostCity, the former former postal service’s letter & parcel distribution central railway station in Linz, again will be a central point of the Ars Electronica Festival.
We zoom into a world that’s incessantly in motion, one in which everything is connected to everything else and the figures are constantly morphing. This animated film by Boris Labbé has been singled out for recognition with a Golden Nica by the 2016 Prix Ars Electronica.
Music Tech Fest is a giant creative laboratory and festival of music ideas that brings together artists and scientists, academics and industry. In Ljubljana, in September 2015, the festival awarded a prize to Ars Electronica Futurelab’s Jonathan Rutherford and Music Technology PhD researcher Tracy Redhead.
In this interview with Gerfried Stocker, Ars Electronica’s artistic director elaborates on the theme of the 2016 Ars Electronica Festival and provides some impressive examples illustrating it. Here’s a preview of what awaits festivalgoers in September 2016 in Linz.
We proudly present the 2016 winners of the Prix Ars Electronica. A total of 3,159 entries from 84 countries were submitted for prize consideration to the world’s most time-honored media arts competition. Here’s a quick briefing on the grand prize winners.
On Saturday the workshop “Tagtool” took place in the Ars Electronica Center as part of the Deep-Space-Weekend: UNESCO City of Media Arts. With a beamer, imagination and the app “Tagtool” participants transformed animations into projections and awakened digital paintings to life. In Deep Space 8K as workshop space this application takes on a whole new dimension.
At the Ars Electronica Festival in 2014, three participants in the Ars Electronica Futurelab Academy Programme presented SquareTalk. The project recently won the ‘expression’ category at the prestigious 2016 IXDA awards.