Thom Kubli’s work “Black Hole Horizon” turns sounds into three-dimensional objects. Big black horns emit deep tones that form soap bubbles. The work can be seen live at the 2016 Ars Electronica Festival. We recently had a chance to chat with the artist about his work.
Who has access to knowledge and information online? Who controls this exchange and who can profit from it? These issues of decisive importance to our digital future are the P2P Foundation’s bread and butter. In recognition of their committed work, the non-profit organization is this year’s recipient of the Golden Nica in the Prix Ars Electronica’s Digital Communities category.
The 2016 Ars Electronica Festival doesn’t kick off until September 8th but the preparations are already running at full speed. Not only does our in-house production crew have their hands full; our associates have been busy too. The staff of Linz City Gardens, for instance, has been cultivating thousands of flowers to adorn the festival’s prime venue. In our photo story, you can watch the plants grow … before beholding them in all their glory on site at Post City.
Violent explosions are sources of particular fascination to artist Aoife Van Linden Tol. An art&science residency is giving her the opportunity to visit the European Space Agency (ESA) and Ars Electronica Futurelab to soak up a healthy dose of inspiration for her next project. In this interview, she talks about, among other things, the fact that there’s a lot more to explosions than destructive force.
“Hack the Robot” offers pupils in grades 7 & up the opportunity to learn to program robots that are normally used in industrial manufacturing processes. What this actually entails is using electronic modules to construct new remote controls that let users hack into the robotic system.
The former Austrian Postal Service logistics center at Linz’s main train station is scheduled for demolition. But before it’s taken down, it will serve, one more time, as an extraordinary event location—POSTCITY, the 2016 Ars Electronica Festival’s prime venue. Martin Honzik, director of the festival, recently took us on a little preview tour of the (still) vacant premises.
“The Conduit” is part performance, part interactive installation that investigates social engagement and the consequences of speculative technological and political frameworks. Participants will negotiate an 8 bit simulation of the future and its effects on our everyday social interactions. The Society for Cultural Optimism has developed a framework for the creation of a future society, which ought to be established by the visitors of the Ars Electronica Deep Space 8K.
The Prix Ars Electronica’s u19 – CREATE YOUR WORLD category is an annual opportunity for young people to garner recognition for their creative projects with great future promise. And once again this year, the prizewinning works are being honored and exhibited at the Ars Electronica Festival September 8-12, 2016. The new wrinkle this year: the young participants themselves are determining what the exhibition looks like and how it works.
Designer, artist and programmer Lauren McCarthy explores the structures and systems of social interaction, identity as well as self-presentation and the potential of technology of how it can influence the dynamics between those traits. During her Transmit³-Residency at the Queensland University of Technology, she wants to find out about the influence of Big Data on the togetherness in front of the large multimedia-display “The Cube”.
The first STARTS Prize competition was conducted by Ars Electronica on behalf of the European Commission this year. The mission: recognizing excellence at the nexus of science, technology and art. Here’s an overview of the winners as well as a few very interesting runners-up and nominees.
Well, in any case, Búi Bjarmar Aðalsteinsson thinks it’s possible. His project is a breeding ground for flies whose larvae can be harvested and processed into foodstuffs. “Fly Factory” is now on display in the “EARTH LAB – Artists as Catalysts” exhibition in Moscow.
The first series of SPARKS exhibitions running in four European cities showcases four artist-in-residency recipients’ highly individualistic takes on the subject of Responsible Research and Innovation and the fascinating ways they developed them further at the Ars Electronica Futurelab.
Ars Electronica Export is making another guest appearance in Berlin. The “HUMAN FACTOR – endless prototyping” exhibition running until August 27, 2016 at DRIVE. Volkswagen Group Forum Berlin displays art and industry’s common denominator—the human being, the human factor that’s constantly trying out prototypes for existential models in humankind’s ongoing struggle to resist extinction. Here are a few impressions of the exhibition.