Valeria Rueda, one of the A-list artists in the new digital music scene, is a member of the jury in the 2015 Prix Ars Electronica’s Digital Musics & Sound Art category. Why does music play such a big part in her life?
No fewer than 2,703 entries from 77 countries were submitted for prize consideration to the 2014 Prix Ars Electronica. This year’s competition will honor excellence in six categories. Here, Ars Electronica’s Emiko Ogawa gives us a brief overview of the composition of the juries.
An Award of Distinction from the 2012 Prix Ars Electronica was a stepping stone for the further development of the apertus° open-source film camera. Sebastian Pichelhofer relates how the project has progressed since then.
The British artist, theoretician and visionary thinker’s oeuvre has been a formative influence on the work of many media artists worldwide. In this interview with the recent Golden Nica honoree who’s about to turn 80, Roy Ascott talks about how he connected with Ars Electronica and the dangers threatening those who create interactive art today....
A real celebration of form and geometry—the terms that the 2014 Prix Ars Electronica jury used to describe the animated film entitled “Walking City” couldn’t have been more apt. An interview with Matt Pyke, creative director of Universal Everything, the studio that took home a Golden Nica for their efforts.
Animated films have to touch people and speak to their needs. Jurors Sabine Hirtes and Joe Gerhardt talk about what actually characterizes good animation and which trends can currently be observed in this field.
Ian Banerjee, architect, city planner, educational researcher and member of the jury in the category "Digital Communities" of the 2014 Prix Ars Electronica, presents his view of digital communities and talks about possible changes that will shape our living together in future.
While hot metal flowed from the blast furnaces at the casthouse of the steel producer voestalpine, a few hundred meters next door, the winners of the Prix Ars Electronica 2014 were announced at a press conference. A first overview.
Laina Greene calls for a human right of access to digital technologies. The Prix juror tells us in an interview, how important digital communities are and what opportunities they are able to include.
As a juror in search of [the next idea], futurist Alexander Mankowsky is right on his home turf. What he’s been particularly struck by are artistic reflections on and social criticism of how we deal with technology. Is it high time to shift gears?
The selection process to determine the 2014 recipients of a Prix Ars Electronica, one of the world’s most important media art prizes, has been concluded. 25 international experts put in three days of intensive work to choose the winners.
Once again this year, the Prix Ars Electronica’s u19 – CREATE YOUR WORLD category cordially invites youngsters under age 19 to submit promising ideas for prize consideration. We recently had a chance to chat with Sirikit Amann, a juror in this category since 1998.
A visually impressive animated work entitled "Forms" wowed the 2013 Prix Ars Electronica jury and garnered the Golden Nica grand prize in the Computer Animation/Film/VFX category for its creators, visual artists Davide Quayola (IT) and Memo Akten (TR). This year, prizewinner Quayola will be one of the experts judging the submissions.
Austrian actor Ferry Öllinger was already a familiar face to audiences in German-speaking Europe when his big breakthrough came playing Chief Inspector Kroisleitner in the popular TV cop show “SOKO Kitzbühel”. At the 2014 Prix Ars Electronica, he’s cast in quite a different role: juror in the u19 – CREATE YOUR WORLD category.
A grant designed to foster the development of innovative ideas with great future promise—the competition to select this year’s recipient of „[the next idea] voestalpine Art and Technology Grant“ is one of the 2014 Prix Ars Electronica’s six categories. An interview with cultural producer Ela Kagel and Gerhard Kürner, director of corporate communications.