Check-In 3, Vienna International Airport’s new terminal, went into service on June 5, 2012. Its mission: state-of-the-art processing of millions of air travelers. The Ars Electronica Futurelab designed several installations for it. They take travel, time and air traffic as their subjects, and offer encounters with art to those passing through this hub.
The Linz Synagogue that was destroyed in 1938 has been reconstructed—at least, virtually—and it’s now possible to tour it in Deep Space 8K at the Ars Electronica Center. In this interview, Danielle Spera, director of the Jewish Museum of Vienna, talked to us about the general significance of a synagogue as well as her personal connection to the Jewish house of worship in Linz.
For the Japanese enterprise NTT (Nippon Telegraph and Telephone) all signs are pointing towards 2020. The giant in telecommunication and Ars Electronica Futurelab as a forray collaboratively developed two pilot projects which were up to guide the visitors of the Ars Electronica Festival 2016 in a stunning fashion.
On Kristallnacht in November 1938, a mob acting on orders of the Nazi regime broke into the Linz Synagogue—like so many other Jewish houses of worship that night—ransacked it and set it ablaze. All that remained of the synagogue was a burnt-out ruin.
The “Hybrids” exhibition co-produced by Ars Electronica is running until January 15, 2017 at the Onassis Cultural Center in Athens. It focuses attention on new forms of artistic expression that interconnect disparate genres and thereby cut across the boundary between art and technology.
The largest lime kiln complex ever discovered in the Roman Empire’s Rhine-Danube provinces was found in 2008 in what was once the Roman town of Lauriacum and is now the city of Enns. Work began this year on excavating the best-preserved kiln in preparation for an exhibition at the 2018 Upper Austria State Fair.