Check-In 3, Vienna International Airport’s new terminal, went into service on June 5, 2012. Its mission: state-of-the-art processing of millions of air travelers. The Ars Electronica Futurelab designed several installations for it. They take travel, time and air traffic as their subjects, and offer encounters with art to those passing through this hub.
“RADICAL ATOMS and the alchemists of our time” was the theme of the Ars Electronica Festival staged September 8-12, 2016 at multiple locations in Linz. The prime venue was, once again, POSTCITY, the former Austrian Postal Service logistics facility adjacent to the train station. It provided 80,000 m2 of exhibition space for conferences and speeches, exhibitions and projects, concerts and performances, animated films and awards ceremonies, guided tours and workshops. 85,000 visits and 534 events on five days, 842 participating artists & scientists from 50 countries. Here are some motifs conveying impressions of this year’s festival.
Even the most amazing festival has to come to a close at some point – the fifth and last day of Ars Electronica 2016 has visitors looking back on an incredible weekend. With the Music Monday Program, the 2016 Ars Electronica Festival comes to a musical end.
In only a few more hours, the 2016 Ars Electronica Festival goes down in history. In the meantime, let’s take a retrospective look at the highlights of Day 4—the Mini Maker Faire Linz, another interesting lineup of speeches and workshops, and, to wrap things up, the musical crescendo of the entire festival, the Big Concert Night.
The third day of the 2016 Ars Electronica Festival continued with conferences and talks by international artists and scientists – but it also offered the opportunity to meet the winners of the Prix Ars Electronica personally. The POSTCITY welcomed the guests on that day with an organic farmers market. In the evening, Intel and Ars Electronica presented the European premiere of DRONE 100.
“Scalar Fields” visualizes the pressure field around the soles of shoes. By using the fluid simulation software developed by the artist, the propagation of pressure in air is visualized in 8K video. During the Ars Electronica Festival 2016, the visualization can be seen as floor and wall projection at Deep Space 8K with a marvelous sound experience.