Check-In 3, Vienna International Airport’s new terminal, went into service on June 5, 2012. Its mission: state-of-the-art processing of millions of air travelers. The Ars Electronica Futurelab designed several installations for it. They take travel, time and air traffic as their subjects, and offer encounters with art to those passing through this hub.
“HUMAN FACTOR – endless prototyping,” an exhibition running July 1-August 27, 2016 at DRIVE. Volkswagen Group Forum Berlin, features a series of artistic prototypes demonstrating new and innovative linkages between art and industry. In this interview, curator Martin Honzik talks about the advantages prototypes have over their counterparts in serial production, and exactly what exhibition visitors can look forward to.
EARTH LAB, an exhibition produced jointly by the Polytechnic Museum in Moscow and Ars Electronica Export, presents new and unconventional ways of looking at our Blue Planet. In this interview, the two curators, Natalia Fuchs and Manuela Naveau, brief us about this remarkable lab on the underground level of Moscow’s Red October chocolate factory.
The Artificial Skins and Bones project seminar conducted by Prof. Mika Satomi and Prof. Wolf Jeschonnek is one of this year’s two recipients of a STARTS Prize awarded by the European Commission. Here’s a briefing on the Berlin Weißensee School of Art and work being done there.
Since today the Ars Electronica Center Linz is officially the Austrian “European Space Education Resource Office”, short ESERO. We have spoken with Clara Cruz Niggebrugge, ESERO Project Coordinator of the ESA Education Office.
“You start to understand how little we really understand.” ESA Senior Science Advisor Mark McCaughrean talks about the interplay of art and science, and thinks aloud about whether we’ll ever succeed in getting the knowledge of the cosmos that we’ve accumulated into our modest heads.