Hello Machine!
Artificial IntelligenceFestivalFuturelab

The “Hello Machine” is an installation connecting the Ars Electronica Festival Linz, Science Gallery Dublin and Volkswagen Berlins Drive Exhibition, has been developed with the assistance of the Ars Electronica FutureLab, by way of vintage or obsolete pay phones from Hanlon’s collection. The Hello Machine’s ‘Hello Machine – Hello Human’ feature touches on the playful moments that are shared between man and machine.

FestivalFuturelabRADICAL ATOMS

You get an exchange of creative ideas in advertisement agencies by the day, but not with everyday people or your fellow neighbors. The Future Catalysts (Ars Electronica Futurelab x Hakuhodo) take the fundamental idea of engaging people in a collective brainstorming further. They incorporate the Shadowgram-Project into the “People Thinking Lab” to make us ponder about how we see the future.

Future Innovators Summit
FestivalFuturelabRADICAL ATOMS

Since its inception at the Ars Electronica Festival in 2014, The Future Innovators Summit (FIS) has grown and developed into a reputable frame and a new model for creative discussions about the future. This year is the culmination of 3 year’s experience and collaborative partnerships which has led to an expanded format and a significant increase of applicants for the open call.

4diagonal_886x574
FuturelabResidencies

“The Conduit” is part performance, part interactive installation that investigates social engagement and the consequences of speculative technological and political frameworks. Participants will negotiate an 8 bit simulation of the future and its effects on our everyday social interactions. The Society for Cultural Optimism has developed a framework for the creation of a future society, which ought to be established by the visitors of the Ars Electronica Deep Space 8K.

How Are You
FuturelabResidencies

Designer, artist and programmer Lauren McCarthy explores the structures and systems of social interaction, identity as well as self-presentation and the potential of technology of how it can influence the dynamics between those traits. During her Transmit³-Residency at the Queensland University of Technology, she wants to find out about the influence of Big Data on the togetherness in front of the large multimedia-display “The Cube”.

BeBot_brightBG_red
FuturelabResidencies

Nanoparticles have become an essential part in the food chain as they provide better fluid properties, color and preservation. Science classifies them at least as critical. In contrast, nanomachines, or so-called nanobots are applied in the cure of cancer. In the course of the third SPARKS-residency at the Ars Electronica Futurelab, Jakob and Lea Illera have developed the medical gain further in the guise of nanobots. They function as messengers to block the appetite for unhealthy food and should rid the world of problems from obesity.

Green Curtains
FuturelabResidencies

The artist and second SPARKS-resident, Lucy McRae, is a representative of the genre Science Fiction. She came to Linz in order to shoot scenes for her film-project which is her approach to the topic of “Responsible Research and Innovation” – the research objective of the SPARKS-program. Compared to her predecessor, Anouk Wipprecht, who built a fashionable wearable, the Australian body architect Lucy McRae focuses on the possibility of adapting the human body to extraordinary situations.

falsepositive
FestivalFuturelabPOST CITY

The idea of tycoons and governmental institutions being able to know more about us than ourselves by tracing our internet behavior, is a rather frightening one. But in reality, they know less than we think – that point has been proven by Mark Shepard, Julian Oliver and Moritz Stefaner with their project “False Positive” which took place during last year’s Ars Electronica Festival edition in the course of the by now completed EU project “Connecting Cities”.

Flame
FestivalFuturelabPOST CITY

With last year’s topic of the EU project „Connecting Cities“, the focus was on making the invisible visible. In the course of the 2015 edition of the Ars Electronica Festival, the subject-matter “In/Visible City“ was impressively staged via a media installation called “Flame” by the artists Tamer Aslan and Onur Sönmez. With this interview, you get an afterglow of an issue that is still burning.