Thinking together, celebrating together. From conferences to ceremonies, from exhibitions to workshops, from VR glasses to brain-computer interfaces. Another inspiring impressions from the 2nd festival day.
A fresh update from the Tangible Media Group, an interdisciplinary research facility at MIT Media Lab in Cambridge MA, USA, is the latest attraction of the RADICAL ATOMS exhibition in the Ars Electronica Center. These three programmable materials are presented in this interview with Prof. Hiroshi Ishii, the director and founder of the lab.
Artificial intelligence is the theme of this year’s Ars Electronica. The 2017 media art festival’s encapsulating motif is provided by the “Beyond Humans” research project. The respective roles played by the android and the chimp depicted in this image were elaborated on by the project’s scholarly director, Ramiro Joly-Mascheroni.
A project entitled “Not Your World Music: Noise in South East Asia” by artists Dimitri della Faille and Cedrik Fermont is one of the very few works about noise & sound art in Southeast Asia. In this interview, the 2017 Golden Nica winners talk about how they got involved in such a huge endeavor and their experiences during this journey of discovery.
Lisa Buttinger displayed meticulous attention to the most minute details as she went about completing her graduation project at Linz’s High School for Artistic Design. In this interview, she talks about what she calls nonvisual art, an innovative artistic medium that has garnered her twofold honors—the Golden Nica in the 2017 Prix Ars Electronica’s u19 – CREATE YOUR WORLD category and an Honorary Mention from the 2017 STARTS Prize.
Dealing with complex issues calls for marshalling insights and skills from numerous fields, cultures and perspectives. Excellence in accomplishing this is precisely what the European Commission aims to honor with the STARTS Prize. Here, we present 2017’s best projects and what the jury’s statement has to say about them. Many will be featured in a special exhibition running at the Ars Electronica Festival in Linz.
A top foreign university will once again be featured in the Campus Exhibition at the 2017 Ars Electronica Festival. This year’s special guest is UCLA–The University of California at Los Angeles. Here, Professor Victoria Vesna gives us a preview of the “Feminist Climate Change” exhibition and an account of how media art gained admission to college.
Embedded in the inspiring setting of the Ars Electronica Festival in POSTCITY Linz, the Future Innovators Summit is once again inviting motivated individuals from the worlds of art, technology and science to exchange ideas and thereby formulate questions of central importance to humankind’s future. FIS project director Hideaki Ogawa offers some conceptual points of departure for a stimulating encounter with the big issue: artificial intelligence.
Chrystal Tesla is an average citizen whose homemade devices enable her to successfully fend off the incessant incursions of surveillance technology. This scenario created by artist Kathrin Stumreich and entitled “What would Ted Kaczynski’s daughter do?” has been honored by the City of Linz with the Marianne.von.Willemer.2016 Prize.
An incisively critical commentary on the obsessive and now-so-pervasive harvesting of data and a plea for the protection of our digital privacy—four schoolboys’ sensor-studded WC has garnered them the 2017 Prix Ars Electronica’s netidee Special Prize. In this interview, Ernst Langmantel, the director of netidee, explains what he likes so much about this project, and elaborates on Austria’s largest initiative to nurture the potential of digital networks.
For her proposal to send a robot with artistic skills into outer space, robotics engineer Sarah Petkus was the recipient of an Honorary Mention from the 2016 art&science@ESA. In this interview, she talks about her plans for her upcoming residency at the European Space Agency (ESA) and the Ars Electronica Futurelab, about humane robots, and the essential elements that actually constitute a robot.
Congratulations to the winners of the 2017 Golden Nicas! 3,677 entries were submitted from 106 countries for 2017 Prix Ars Electronica prize consideration. We would like to introduce you to the award-winning works now.
The STARTS Prize awarded by the European Commission spotlights collaboration of science, technology and art. That’s the same approach taken by Sophie Lampartner, director of swissnex San Francisco and one of this year’s STARTS jurors. In this interview, she talks about trends at the nexus of these three domains.
“GET INSPIRED – Promising Projects at the Nexus of Art, Technology and Science” was the theme of a showcase of innovative projects based in Linz and Upper Austria staged yesterday by Ars Electronica in cooperation with a regional association of young businesspeople. Join us for a look back at an inspiring evening.
Now that the 2017 STARTS Prizes have been selected, the European Commission’s STARTS initiative is launching another attractive program. Artists can now apply for a residency in which they create a new work of art using the technology of the R&D project of their choice. The entry deadline is May 22, 2017.
This year’s STARTS PRIZE recipients come from Japan and Switzerland. “I’m Humanity” garnered the Grand Prize for Artistic Exploration for Etsuko Yakushimaru; the Grand Prize for Innovative Collaboration goes to Gramazio Kohler Research at ETH–Swiss Federal Institute of Technology in Zurich and the Self-Assembly Lab at MIT for their “Rock Print” installation.
September 7-11, 2017, POSTCITY Linz will be the setting of a stimulating, comprehensive confrontation with the reality and the vision of artificial intelligence. We talked to Ars Electronica Artistic Director Gerfried Stocker about this year’s festival theme.
Yen Tzu Chang (TW) is the recipient of the residency STEAM imaging jointly hosted by the Fraunhofer Institute for Medical Image Computing (MEVIS) and Ars Electronica. The Taiwanese media artist will thus have a unique opportunity to work closely together with the Institute’s research staff.
Mainstays of media art in general and the Prix Ars Electronica’s Hybrid Art category in particular are hybrid and transdisciplinary projects and approaches. In this interview, juror Ghalia Elsrakbi talks about her take on hybrid art and what she sees as the role art can play in 2017.
March 13th is the deadline for submitting works of media art for 2017 Prix Ars Electronica prize consideration. In this interview, sound artist Emre Erkal, one of this year’s jurors in the Digital Musics & Sound Art category, talks about sounds, architecture and artificial intelligence.
Since 1998, the Prix Ars Electronica has included a category especially for kids and young people under 19 years of age, and Sirikit Amann has been a juror since the very inception. We recently joined her for a look back at some particularly memorable prizewinning works.
Experimenting, testing and understanding. Over 2,000 pupils came to the Ars Electronica Center to present their self-developed experiments to a public audience and to take a look at other experimental set-ups. View our picture gallery of astonished and curious gazes of the participating kids and teenagers!
Even in the 21st century, robotics R&D is still a male domain. On the occasion of International Women’s Day, we discussed this issue with Martina Mara of the Ars Electronica Futurelab. She’s a media psychologist and director of robo-psychology.
Réka Bucsi’s animated short film “Symphony no. 42” got her shortlisted at the 87th Academy Awards. In April, she’ll be one of the 2017 Prix Ars Electronica jurors selecting this year’s Golden Nica recipients.
Collaboration among science, technology and art is urgently needed! Marleen Stikker and Lucas Evers of the Waag Society talk about these three fields’ commonalities and, shortly before the entry deadline, address a last-chance call to motivate artists, engineers and scientists to submit their transdisciplinary projects for 2017 STARTS Prize consideration.
It’s elegantly designed and individually customized to suit the space it illuminates. Highlight, Jussi Ängeslevä’s lamp generated via 3-D printer, features a shape that satisfies users’ (lighting) needs.
Ars Electronica launched an online database especially for women in media arts in September 2016. Women in Media Arts now makes it possible for users themselves to input information and modify the database’s entries about female artists. Here, project manager Florina Costamoling provides a brief introduction to the database designed to be used by, among others, curators and artists.
The extended deadline to submit entries for 2017 Prix Ars Electronica prize consideration is March 13th! That’s when the respective international juries take up the task of naming this year’s prizewinners. So, who exactly are these ladies and gentlemen who’ve been appointed arbiters of excellence in media art?
Once again, the Ars Electronica Festival grounds were serving as a playground for young filmmakers. Equipped with camera and microphone, youngsters with physical handicaps were able to work together with mentors from an association named FAB to document what has happened at the festival and the various approaches artists and visitors were taking to the 2016 theme.
In this interview, the artistic director of the Centre for Fine Arts (BOZAR) discusses the artist’s role in this day and age, notes that art also emerges beyond the confines of picture frames, and points out how important it is for disciplines to interconnect.