New York artist Joseph Herscher uses everyday objects to build Rube Goldberg machines that are as inefficient as can be. At the 2017 Ars Electronica Festival, he’ll be involved in three projects that illustrate his playful approach to creativity. In this interview, we found out what exactly awaits us.
This is the second year that the Ars Electronica Festival is hosting a “Perspectives on Political Education” symposium. This series of events under the aegis of Pädagogische Hochschule OÖ [state teachers college] is set for September 7-8, 2017. This year’s theme: “The world is my world. How much globalization can humankind stand?” Stefan Giegler told us what’s in store.
Night owls and music fans are in for a real treat at the 2017 Ars Electronica Festival. The Opening extravaganza on Thursday, September 7th and the Nightline on Friday, September 8th offer highly danceable riffs conducive to high-energy nights. We sat down with the Salon 2000 curatorial team to find out more.
This event is the first of its kind at the Ars Electronica Festival—the BR41N.IO Hackathon demands high performance from hackers and designers, who’ll have 24 hours beginning at 11 AM on Friday, September 8th to conjure up projects based on brain-computer interfaces. To find out how this Hackathon will happen, what sort of stuff will come out of it, and who can register, read on.
The CyberArts exhibition running during the Ars Electronica Festival September 7-11, 2017 once again showcases this year’s Prix Ars Electronica prizewinners. In this interview, the exhibition staff tells us about the show and the accompanying program of events including OK Night.
An annual feature at the Ars Electronica Festival, CREATE YOUR WORLD, the future festival of the next generation, shows young people the ideas and technologies they’ll be using to change our world. Hans Christian Merten, director of CREATE YOUR WORLD, told about all the great stuff youngsters will be seeing, trying out and exploring September 7-11.
Configuring the 80,000-square-meter interior of POSTCITY Linz with lucid structures conducive to exhibiting media art is no easy task. But the architects at ANY:TIME took up this challenge and are working out a suitable framework for the artwork at the 2017 Ars Electronica Festival. Here, they discuss their approach.
One thing the 2017 Ars Electronica Festival definitely won’t be is boring! Lots of fascinating new features await festivalgoers September 7-11. Ars Electronica Artistic Director Gerfried Stocker told us about what’s new on this year’s lineup.
Screenings, symposia and hands-on adventure with virtual reality installations—there’s a lot doing at this year’s Ars Electronica Animation Festival September 7-11, 2017. We met up with the production team to find out more about the program, the participating artists and their works.
POINT ZERO, the exhibition elaborating on the Ars Electronica Festival’s theme, “Artificial Intelligence – The Other I,” (September 7-11, 2017) takes on big questions. What is the essence of a human being? Of a machine? Or, for that matter, of data? We sat down for a chat with Ars Electronica Artistic Director Gerfried Stocker to get a few initial clues.
With Sonic Saturday on September 9th and Music Monday on September 11th, the 2017 Ars Electronica Festival now features two days dedicated to sound art. What can we look forward to this year? We found out!
A Helpers Conference organized by ZusammenHelfen in Oberösterreich (Helping Together in Upper Austria) will once again be held during the Ars Electronica Festival. Volunteers who work with refugees will gather for an exchange of information and ideas on Saturday, September 9, 2017 in POSTCITY Linz. Nicole Sonnleitner of ZusammenHelfen in Oberösterreich told us more.
Taking advantage of this continent’s diversity—that’s what Ars Electronica has been doing in a broad spectrum of collaborative projects clear across Europe. In this interview, Festival Director Martin Honzik and Producer Veronika Liebl told us about them and what role they’ll play at the Ars Electronica Festival September 7-11, 2017.
The FEAT Project staged seven nine-month residencies in which artists worked together with scientists at the interface of art and technology. At the FEAT interview panel on Saturday, September 9, 2017 at the Ars Electronica Festival, panelists will discuss why this collaboration can occasionally be difficult but is rewarding nevertheless.
The Campus Exhibition at this year’s Ars Electronica Festival showcases Linz Art University’s Interface Cultures program. “Made in Linz” includes recent works of media art by undergraduates. The program’s founder and director, Christa Sommerer, offers some pre-show insights.
POSTCITY Linz, the festival location, has been vacant for several years now. The gray halls seem deserted, cheerless. Linz’s municipal gardeners have been assigned the job of giving a friendly makeover to this interior in time for the Ars Electronica Festival September 7-11. The upbeat greenery got off to an auspicious start in mid-summer, and we were on hand to capture it.
Once again this year, the young honorees in the Prix Ars Electronica’s u19 category will decide for themselves how their prizewinning projects will be displayed at the Ars Electronica Festival, September 7-11 2017. They’re coming up with some initial ideas at an exhibition design workshop. The plans emerging now will become a reality by September.
September 7-11, 2017, POSTCITY Linz will once again morph into a sprawling playground of media artists from all over the world. The theme of this year’s Ars Electronica Festival is Artificial Intelligence – The Other I. We recently sat down with Festival Director Martin Honzik to get a sneak preview.
The Linz-based artists’ collective Time’s Up builds walk-through worlds, physical narratives, in which every object tells a story. At Ars Electronica Festival September 7-11, 2017, festivalgoers will be able to experience one of them: “Turnton Docklands.” We talked to Time’s Up about this mix of environmental dystopia, social utopia and disturbing future scenario.
The Ars Electronica Festival is dedicating an entire day to sampling organic delicacies of the highest quality in POSTCITY Linz. Once again this year, BIO AUSTRIA is staging a farmer’s market amidst all the media art. Here, BIO AUSTRIA’s Marlene Wolfsteiner tells us about all the healthy goodies festivalgoers will be enjoying, and why organic farming is so essential.
Even the most amazing festival has to come to a close at some point – the fifth and last day of Ars Electronica 2016 has visitors looking back on an incredible weekend. With the Music Monday Program, the 2016 Ars Electronica Festival comes to a musical end.
POSTCITY in Linz debuted as the Ars Electronica Festival venue in 2015, and the former Austrian Postal Service logistics facility is reprising its role as a setting for media art events this year. Between these two deployments, POSTCITY served as a transit camp for refugees. Paul Reinthaler, regional director of the Red Cross, gives an account of the challenges the past year posed.
The Klangwolke [Cloud of Sound] is an autumn highlight of Linz’s annual calendar of events. Conceived as a blend of music, performance, art and spectacle with a different theme each year, it’s been a crowd-pleaser ever since its launch in 1979. The 2016 edition is entitled “River of Knowledge.” We recently had a chance to talk about the upcoming event with producer Uwe Buhrdorf and Rica Blunck and Tilo Nest of the cast and crew.
The first day of the 2016 Ars Electronica Festival started with a lot of exhibition openings – from the Alchemists at POSTCITY to the CyberArts opening at OK Center for Contemporary Art, there was lots to see. In the evening, the grand Opening set the musical tone for the coming weekend.
It’s less than 24 hours until the grand opening of the 2016 Ars Electronica Festival. Needless to say, the preparations are going full speed ahead. Here, we take one last tour before the exhibitions, conferences and performances begin on September 8, 2016.
Before the 100 Spaxels make their European public debut above the Danube on Saturday, September 10, 2016 just before the opening act of the Klangwolke, they’ll be subjected to a rigorous physical exam. The first two test flights already took place this week—the quadcopters lifted off from a secluded field in Mühlviertel, the rural area north of Linz, and put on quite a show (that not too many people got to see).
Immediately after last year’s Ars Electronica Festival, the POSTCITY venue was converted into a transit camp for refugees. Since last September, over 50,000 men, women and children have spent a night in Linz during their flight. In remembrance of them, we’re adorning the premises with the same number of flowers, which festivalgoers can buy and take home in return for a donation. The proceeds will go to a local community named Über den Tellerrand [literally: beyond the edge of ones own plate]. To find out who they are, read on!
This is a conference organized by ZusammenHelfen in Oberösterreich (Helping Together in Upper Austria) to provide support to, show appreciation for and foster networking among the many volunteers working to aid refugees. Volunteer helpers will be gathering on September 10, 2016 at the Ars Electronica Festival. Nicole Sonnleitner of ZusammenHelfen in Oberösterreich told us more.
Exhibitions, concerts, performances, events, workshops, film screenings and awards ceremonies—there’s a lot happening at the 2016 Ars Electronica Festival. But if you’re not so fluent in German or English, it can all get a bit daunting. That’s the reason for WE GUIDE YOU. Three types of guided tours provide insightful overviews in no fewer than 10 languages.
Aoife van Linden Tol takes printed objects that are endowed with emotions and gives them a new start. In her performance “Second Story,” she blows up old photos, passports, love letters, etc. in controlled explosions. Here, she tells us how her first test detonation went, what we can expect in her September performance, and how we can submit stuff to get blown to smithereens!