How does the world look from way up top? Othmar Coser of the Austrian Space Forum will screen breathtaking satellite images of Earth at the next Deep Space LIVE on December 14, 2017. His talk entitled “Eye in the Sky” will also reveal which data terrestrial observation technology measures, and go into why this is being done? Find out more in this interview.
What leads to success? Why are some people successful and others aren’t? And is there a recipe for success? Journalist/moderator Claudia Reiterer’s new book “The Popcorn Effect: From Dream to Success” deals with these very questions. At the first meeting of the UGL Women’s Network, the author gave a reading in the Ars Electronica Center, where she also gave us an interview.
The “Waltraut Cooper. Light and Sound” exhibition co-produced by the Ars Electronica Center is running until January 21, 2018 at Landesgalerie Linz. We spoke with media artist Waltraut Cooper about media art in the 1980s, her fascination with light, and her works on display at Landesgalerie.
An interactive exhibition at the Saxon Museum of Industry entitled “Gestures – Yesterday, Today and the Day after Tomorrow”—the outgrowth of a joint research project by the Technical University of Chemnitz (Germany) and the Ars Electronica Futurelab—is a new encounter with the history of human-machine interaction.
Experimental musicians Karen Schlimp, Jaap Blonk and Klaus Hollinetz take us along on a sonorous journey through the human skin this Friday, December 1, 2017. In a concert entitled “UNDER YOUR SKIN/Bodyterms” in Deep Space 8K, they’ll play on medical terminology, through scores made of microscope images, and with the full range of their instruments’ possibilities.
Like every year, selected works featured at the Ars Electronica Festival then go on display for an additional run at the Ars Electronica Center. We find out which works those are, why they were singled out, and what surprises await visitors to the new VRLab in this interview with Kristina Maurer, exhibition producer at the Ars Electronica Center.
The European Space Agency (ESA) annually stages two international workshops for teachers from its member states. ESERO Austria made it possible for two Austrian teachers to take part in this year’s workshop in The Netherlands. Here’s an account of how it went.
Clothing made of desert plants or organic plastics, rediscovered technologies and state-of-the-art high-tech top the list of attractions at DE/MATERIALIZE, a showcase of exciting work being done by students in Linz Art University’s Fashion & Technology program, on November 23, 2017 in Ars Electronica’s Deep Space. Fashion designer Ute Ploier, the program’s director, gave us a preview in this discussion of fashion, technology, sustainability and the future of the fashion industry.
WANTED: up-and-coming talents in media art! The European Media Art Platform awards several two-month residencies at 11 European institutions. In this interview, Peter Zorn of Werkleitz goes into detail about the network, and Ars Electronica’s Veronika Liebl recaps the European Digital Art and Science Network’s activities since its launch in 2015.
The Urban Dance Styles program at Anton Bruckner University and the Urban Artists dance collective cordially invite you to attend a performance at the Ars Electronica Center during the upcoming Long Night of the Stages on November 11, 2017. In this interview, Markus Eggensperger, Urban Dance Styles program coordinator, clues us in about Pop, Lock, Break and the world of urban dance cultures.
The next Long Night of the Stages is set for November 11, 2017 when, in addition to theaters and other stage-based performance venues, the Ars Electronica Center will host a diverse lineup of productions. The dramatis personae include Björn Lengers and Marcel Karnapke, who’ll be contributing two projects at the interface of performance and virtual reality: “Memories of Borderline” and “Pitoti Prometheus”.
The first Industry-4.0-themed week staged jointly by the Industrial Association of Upper Austria (IV OÖ) and Ars Electronica featured workshops and presentations that explained why the digitization of the economy is everybody’s business. Joachim Haindl-Grutsch, CEO of IV OÖ, told us more in this interview.
What impact do encounters with foreign cultures and religions have on our understanding of fundamental rights? What opportunities and risks are connected with new technologies? And which values are actually important to our young people today? We posed these and other questions to visitors to the Ars Electronica Center on Fundamental Rights Day 2017.
A CanSat competition is being staged for the first time in Austria during this school year by ESERO Austria. The assignment: build a so-called CanSat, a satellite the size of a soft drink can that’s able to measure air temperature & pressure and carry out a second mission of the designer’s choice. November 5, 2017 is the entry deadline for teams of students. Find out more in this interview!
The “Brains for Everybody” series of talks at the Ars Electronica Center provides periodic briefings on the latest findings in brain research and methods used in that field. In a special edition, Dr. Selina Wriessnegger explained what brain-computer interfaces are, how they’re used, and what the internet has to do with them. She puts it in a nutshell in this interview.
Fascinating peeks into the world of industry and lots of hands-on fun were in store for youngsters at this year’s Kids’ Day event sponsored by the Industrial Association of Upper Austria. At workshops staged by manufacturers headquartered throughout the region, kids tinkered and soldered, built cool stuff and had an amazing time! Check out our Photo Gallery.
What can you do when your hair suddenly falls out? What are the causes of hair loss, and do attractive wigs even exist? Hairdresser Peter Fuchs, gynecologist Peter Oppelt and plastic surgeon Matthias Koller provide answers at a Deep Space LIVE event. We learned more in this interview.
“Homo Digitalis” is a series of seven episodes that present various scenarios of life in the future. Christopher Lindinger, Director of Research & Innovation at the Ars Electronica Futurelab, talks about the part his division played in this Web series produced by BR, ARTE and ORF.
This is the second time that several young Austrian artists had an opportunity to present their works on Digital Design Weekend in the Victoria and Albert Museum in London.
This year’s THE ARTS+ Creative Business Festival at the Frankfurt Book Fair provides the perfect showcase for men and women who’ve been honored for their extraordinary creativity, for their innovative projects at the nexus of science, technology and art, and for the European Commission’s STARTS initiative.
How can science, technology and art become more tightly intermeshed, and how do they benefit from these linkages? Outstanding best-practice examples and insightful speeches lead off the STARTS Talks series in Berlin and Eindhoven.
Fronius is the global market leader in robotic welding, and has made a name for itself worldwide in the field of arc & resistance spot welding. This year, Ars Electronica Solutions designed the company’s stand at SCHWEISSEN & SCHNEIDEN 2017 in Düsseldorf, the world’s premier trade show for welding and cutting technology. In this interview, Ars Electronica Solutions Director Michael Mondria talks about what went into this assignment.
The “Hello Machine” is an installation connecting the Ars Electronica Festival Linz, Science Gallery Dublin and Volkswagen Berlins Drive Exhibition, has been developed with the assistance of the Ars Electronica FutureLab, by way of vintage or obsolete pay phones from Hanlon’s collection. The Hello Machine’s ‘Hello Machine – Hello Human’ feature touches on the playful moments that are shared between man and machine.
Sad but true—the fifth and final day of the 2017 Ars Electronica Festival has come to a close. Amazing how time flies when you’re having fun at so many absorbing events! We sincerely hope you checked off everything on your to-do list. Here’s a brief retrospective look at Day 5.
The 2017 Ars Electronica Festival is already four days old. And Sunday as well lived up to high expectations with a great lineup of conferences, workshops, media art, performances and much more. The most noteworthy event was undoubtedly Markus Poschner’s premiere as chief conductor of Linz’s Bruckner Orchester. But let’s take this one step at a time! So here we go on a lavishly illustrated summary of Day 4.
Our festival Saturday made an exciting start into the weekend: With the Helper’s Conference, the final hours of the Hackathon, an organic farmer’s market, the Expanded Animations Symposium, the Prix and STARTS Forums, and of course countless exhibitions full of state-of-the-art media art, the festival was once again filled to the brim with wonderful events. Let’s have a look!
Thinking together, celebrating together. From conferences to ceremonies, from exhibitions to workshops, from VR glasses to brain-computer interfaces. Another inspiring impressions from the 2nd festival day.
The big day has finally arrived—this year’s Ars Electronica Festival is underway! The preparations had been going full speed ahead for months now to once again make this huge celebration of media art something absolutely extraordinary. And that’s exactly what has come to pass! Here, for your viewing pleasure, are a few impressions of the first day of the festival.
This year’s Golden Nica in the Computer Animation/Film/VFX category goes to David OReilly for “Everything,” his game that literally lets you play with everything—from the tiniest atom to the biggest galaxy. In this interview, the artist and game developer tells more about his work.
The Ars Electronica Festival annually transforms the mini-metropolis Linz into the global hotspot of media art that attracts tens of thousands of visitors. Karl Schmidinger, technical director of the Ars Electronica Festival, tells us in this interview how he and his crew make it possible for this big show to go on!