The FEAT Project staged seven nine-month residencies in which artists worked together with scientists at the interface of art and technology. At the FEAT interview panel on Saturday, September 9, 2017 at the Ars Electronica Festival, panelists will discuss why this collaboration can occasionally be difficult but is rewarding nevertheless.
Lisa Buttinger displayed meticulous attention to the most minute details as she went about completing her graduation project at Linz’s High School for Artistic Design. In this interview, she talks about what she calls nonvisual art, an innovative artistic medium that has garnered her twofold honors—the Golden Nica in the 2017 Prix Ars Electronica’s u19 – CREATE YOUR WORLD category and an Honorary Mention from the 2017 STARTS Prize.
The Campus Exhibition at this year’s Ars Electronica Festival showcases Linz Art University’s Interface Cultures program. “Made in Linz” includes recent works of media art by undergraduates. The program’s founder and director, Christa Sommerer, offers some pre-show insights.
POSTCITY Linz, the festival location, has been vacant for several years now. The gray halls seem deserted, cheerless. Linz’s municipal gardeners have been assigned the job of giving a friendly makeover to this interior in time for the Ars Electronica Festival September 7-11. The upbeat greenery got off to an auspicious start in mid-summer, and we were on hand to capture it.
Once again this year, the young honorees in the Prix Ars Electronica’s u19 category will decide for themselves how their prizewinning projects will be displayed at the Ars Electronica Festival, September 7-11 2017. They’re coming up with some initial ideas at an exhibition design workshop. The plans emerging now will become a reality by September.
September 7-11, 2017, POSTCITY Linz will once again morph into a sprawling playground of media artists from all over the world. The theme of this year’s Ars Electronica Festival is Artificial Intelligence – The Other I. We recently sat down with Festival Director Martin Honzik to get a sneak preview.
The Linz-based artists’ collective Time’s Up builds walk-through worlds, physical narratives, in which every object tells a story. At Ars Electronica Festival September 7-11, 2017, festivalgoers will be able to experience one of them: “Turnton Docklands.” We talked to Time’s Up about this mix of environmental dystopia, social utopia and disturbing future scenario.
The Ars Electronica Festival is dedicating an entire day to sampling organic delicacies of the highest quality in POSTCITY Linz. Once again this year, BIO AUSTRIA is staging a farmer’s market amidst all the media art. Here, BIO AUSTRIA’s Marlene Wolfsteiner tells us about all the healthy goodies festivalgoers will be enjoying, and why organic farming is so essential.
Dealing with complex issues calls for marshalling insights and skills from numerous fields, cultures and perspectives. Excellence in accomplishing this is precisely what the European Commission aims to honor with the STARTS Prize. Here, we present 2017’s best projects and what the jury’s statement has to say about them. Many will be featured in a special exhibition running at the Ars Electronica Festival in Linz.
A top foreign university will once again be featured in the Campus Exhibition at the 2017 Ars Electronica Festival. This year’s special guest is UCLA–The University of California at Los Angeles. Here, Professor Victoria Vesna gives us a preview of the “Feminist Climate Change” exhibition and an account of how media art gained admission to college.
Embedded in the inspiring setting of the Ars Electronica Festival in POSTCITY Linz, the Future Innovators Summit is once again inviting motivated individuals from the worlds of art, technology and science to exchange ideas and thereby formulate questions of central importance to humankind’s future. FIS project director Hideaki Ogawa offers some conceptual points of departure for a stimulating encounter with the big issue: artificial intelligence.
For her proposal to send a robot with artistic skills into outer space, robotics engineer Sarah Petkus was the recipient of an Honorary Mention from the 2016 art&science@ESA. In this interview, she talks about her plans for her upcoming residency at the European Space Agency (ESA) and the Ars Electronica Futurelab, about humane robots, and the essential elements that actually constitute a robot.
September 7-11, 2017, POSTCITY Linz will be the setting of a stimulating, comprehensive confrontation with the reality and the vision of artificial intelligence. We talked to Ars Electronica Artistic Director Gerfried Stocker about this year’s festival theme.
Ars Electronica launched an online database especially for women in media arts in September 2016. Women in Media Arts now makes it possible for users themselves to input information and modify the database’s entries about female artists. Here, project manager Florina Costamoling provides a brief introduction to the database designed to be used by, among others, curators and artists.
Once again, the Ars Electronica Festival grounds were serving as a playground for young filmmakers. Equipped with camera and microphone, youngsters with physical handicaps were able to work together with mentors from an association named FAB to document what has happened at the festival and the various approaches artists and visitors were taking to the 2016 theme.
The water comes in; the water goes out. Since time immemorial, human beings have been fascinated by the sea. Artist Mathieu Le Sourd alias maotik has captured its motions and translated them into a walk-through interactive visualization in Deep Space.
For the Japanese enterprise NTT (Nippon Telegraph and Telephone) all signs are pointing towards 2020. The giant in telecommunication and Ars Electronica Futurelab as a forray collaboratively developed two pilot projects which were up to guide the visitors of the Ars Electronica Festival 2016 in a stunning fashion.
The watchwords: exploration, involvement and inventiveness. This year’s 6th u19 – CREATE YOUR WORLD Festival invited young people to Linz September 8-12 to get acquainted with 21st-century tools and to jointly give some consideration to the world of tomorrow—to what will soon be their world! Here’s a retrospective look at a few of the highlights.
“RADICAL ATOMS and the alchemists of our time” was the theme of the Ars Electronica Festival staged September 8-12, 2016 at multiple locations in Linz. Conferences and speeches, exhibitions and projects, concerts and performances, animated films and awards ceremonies, guided tours and workshops. 85,000 visits and 534 events on five days, 842 participating artists & scientists from 50 countries. Here are some motifs conveying impressions of this year’s festival.
Even the most amazing festival has to come to a close at some point – the fifth and last day of Ars Electronica 2016 has visitors looking back on an incredible weekend. With the Music Monday Program, the 2016 Ars Electronica Festival comes to a musical end.
In only a few more hours, the 2016 Ars Electronica Festival goes down in history. In the meantime, let’s take a retrospective look at the highlights of Day 4—the Mini Maker Faire Linz, another interesting lineup of speeches and workshops, and, to wrap things up, the musical crescendo of the entire festival, the Big Concert Night.
The third day of the 2016 Ars Electronica Festival continued with conferences and talks by international artists and scientists – but it also offered the opportunity to meet the winners of the Prix Ars Electronica personally. The POSTCITY welcomed the guests on that day with an organic farmers market. In the evening, Intel and Ars Electronica presented the European premiere of DRONE 100.
“Scalar Fields” visualizes the pressure field around the soles of shoes. By using the fluid simulation software developed by the artist, the propagation of pressure in air is visualized in 8K video. During the Ars Electronica Festival 2016, the visualization can be seen as floor and wall projection at Deep Space 8K with a marvelous sound experience.
POSTCITY in Linz debuted as the Ars Electronica Festival venue in 2015, and the former Austrian Postal Service logistics facility is reprising its role as a setting for media art events this year. Between these two deployments, POSTCITY served as a transit camp for refugees. Paul Reinthaler, regional director of the Red Cross, gives an account of the challenges the past year posed.
The second day of the 2016 Ars Electronica Festival was dominated by the annual symposia. But the Friday of each Ars Electronica Festival is also traditionally the day of the awards ceremonies of the Prix Ars Electronica. While the kids of the category u19 – Create Your World received their prizes already at noon, the adults became their Golden Nicas in the evening at a festive gala. What else has been going on on Day 2 of the 2016 Ars Electronica Festival, you can read in this blog post.
The Klangwolke [Cloud of Sound] is an autumn highlight of Linz’s annual calendar of events. Conceived as a blend of music, performance, art and spectacle with a different theme each year, it’s been a crowd-pleaser ever since its launch in 1979. The 2016 edition is entitled “River of Knowledge.” We recently had a chance to talk about the upcoming event with producer Uwe Buhrdorf and Rica Blunck and Tilo Nest of the cast and crew.
During the last three decades we have witnessed the growing complexity of technology and a flood that is filling our hospitals today—functional imaging, full gene sequencing, automated laboratory medicine and much more. But the role and responsibility sharing in healthcare has remained almost unchanged despite almost complete digitization. In this Deep Space talk Professor Horst Hahn presents possible future role models and the benefits and dangers of the digital revolution.
The first day of the 2016 Ars Electronica Festival started with a lot of exhibition openings – from the Alchemists at POSTCITY to the CyberArts opening at OK Center for Contemporary Art, there was lots to see. In the evening, the grand Opening set the musical tone for the coming weekend.
It’s already dark outside, but the light is still burning in the POSTCITY. All involved artists and the team of the Ars Electronica Festival are to complete their final preparations. Here are some impressions, a few hours before the first festival day.
You get an exchange of creative ideas in advertisement agencies by the day, but not with everyday people or your fellow neighbors. The Future Catalysts (Ars Electronica Futurelab x Hakuhodo) take the fundamental idea of engaging people in a collective brainstorming further. They incorporate the Shadowgram-Project into the “People Thinking Lab” to make us ponder about how we see the future.