E-voting and blockchain, social media and data protection—netidee, Austria’s leading initiative to nurture innovations that advance the use of the internet, is funding Bürgerchain and Combinary, two projects that will be implemented in the coming months.
A new year, a new opportunity! The Prix Ars Electronica seeks outstanding works of media art. The entry deadline is March 2nd. Prizewinners receive cash awards of up to €10,000 per category and a featured appearance at the 2018 Ars Electronica Festival. In this interview, Ars Electronica Artistic Director Gerfried Stocker talks about this time-honored media art competition and presents this year’s categories.
In their touching film about dementia that opens on January 13th at the Hollywood Megaplex in Pasching near Linz, the young crew of Krmpf Krmpf Studio is also showcasing a new cinematic technique—stereo narrativity. The moviegoers attending the premiere of “merk|würdig” will be assembled in a single theater, but they’ll see the narrative from two different perspectives.
This year’s Golden Nica in the Computer Animation/Film/VFX category goes to David OReilly for “Everything,” his game that literally lets you play with everything—from the tiniest atom to the biggest galaxy. In this interview, the artist and game developer tells more about his work.
A project entitled “Not Your World Music: Noise in South East Asia” by artists Dimitri della Faille and Cedrik Fermont is one of the very few works about noise & sound art in Southeast Asia. In this interview, the 2017 Golden Nica winners talk about how they got involved in such a huge endeavor and their experiences during this journey of discovery.
The CyberArts exhibition running during the Ars Electronica Festival September 7-11, 2017 once again showcases this year’s Prix Ars Electronica prizewinners. In this interview, the exhibition staff tells us about the show and the accompanying program of events including OK Night.
Screenings, symposia and hands-on adventure with virtual reality installations—there’s a lot doing at this year’s Ars Electronica Animation Festival September 7-11, 2017. We met up with the production team to find out more about the program, the participating artists and their works.
Lisa Buttinger displayed meticulous attention to the most minute details as she went about completing her graduation project at Linz’s High School for Artistic Design. In this interview, she talks about what she calls nonvisual art, an innovative artistic medium that has garnered her twofold honors—the Golden Nica in the 2017 Prix Ars Electronica’s u19 – CREATE YOUR WORLD category and an Honorary Mention from the 2017 STARTS Prize.
An incisively critical commentary on the obsessive and now-so-pervasive harvesting of data and a plea for the protection of our digital privacy—four schoolboys’ sensor-studded WC has garnered them the 2017 Prix Ars Electronica’s netidee Special Prize. In this interview, Ernst Langmantel, the director of netidee, explains what he likes so much about this project, and elaborates on Austria’s largest initiative to nurture the potential of digital networks.
Congratulations to the winners of the 2017 Golden Nicas! 3,677 entries were submitted from 106 countries for 2017 Prix Ars Electronica prize consideration. We would like to introduce you to the award-winning works now.
Mainstays of media art in general and the Prix Ars Electronica’s Hybrid Art category in particular are hybrid and transdisciplinary projects and approaches. In this interview, juror Ghalia Elsrakbi talks about her take on hybrid art and what she sees as the role art can play in 2017.
March 13th is the deadline for submitting works of media art for 2017 Prix Ars Electronica prize consideration. In this interview, sound artist Emre Erkal, one of this year’s jurors in the Digital Musics & Sound Art category, talks about sounds, architecture and artificial intelligence.
Since 1998, the Prix Ars Electronica has included a category especially for kids and young people under 19 years of age, and Sirikit Amann has been a juror since the very inception. We recently joined her for a look back at some particularly memorable prizewinning works.
Réka Bucsi’s animated short film “Symphony no. 42” got her shortlisted at the 87th Academy Awards. In April, she’ll be one of the 2017 Prix Ars Electronica jurors selecting this year’s Golden Nica recipients.
Ars Electronica launched an online database especially for women in media arts in September 2016. Women in Media Arts now makes it possible for users themselves to input information and modify the database’s entries about female artists. Here, project manager Florina Costamoling provides a brief introduction to the database designed to be used by, among others, curators and artists.
The extended deadline to submit entries for 2017 Prix Ars Electronica prize consideration is March 13th! That’s when the respective international juries take up the task of naming this year’s prizewinners. So, who exactly are these ladies and gentlemen who’ve been appointed arbiters of excellence in media art?
A basic framework for chatbot developers, a game programming tool for young people to use on smartphones, and a charging station for refugees—here, we present three projects that received funding from the netidee initiative.
Entries to the competition to determine the honorees of the 30th Prix Ars Electronica are now being accepted! Four Golden Nica statuettes and prizemoney of up to €10,000 in each category await this year’s outstanding media artists. But what’s the story with gender distribution among Prix Ars Electronica prizewinners? We discussed this issue with Gerfried Stocker and the Prix Ars Electronica staff.
“Die Entscheidung” (The Decision), a computer game about life-threatening cancer, greatly impressed this year’s Prix Ars Electronica jury and garnered the Golden Nica in the u19 – CREATE YOUR WORLD category for 17-year-old Jonas Bodingbauer. At the 2016 Ars Electronica Festival he will not only receive the award in POSTCITY during the u19 ceremony – here you will also have the chance to chat personally with him about his computer game. For the blog, he told us about his game.
One of the highlights of each year’s Ars Electronica Festival is always the CyberArts exhibition, a showcase of the works singled out for recognition by the Prix Ars Electronica, one of the most important awards honoring creativity and pioneering spirit in the digital media genre. Here, Genoveva Rückert, the curator of CyberArts 2016, tells us about this year’s show.
Who has access to knowledge and information online? Who controls this exchange and who can profit from it? These issues of decisive importance to our digital future are the P2P Foundation’s bread and butter. In recognition of their committed work, the non-profit organization is this year’s recipient of the Golden Nica in the Prix Ars Electronica’s Digital Communities category.
“Can you hear me?” was a temporary network that artists Christoph Wachter and Mathias Jud set up above the rooftops of the German government district in Berlin to downright force intelligence agencies to listen in on what they and thousands of other people were saying. Besides getting the agents’ attention, the artists are also the recipients of a Golden Nica in the 2016 Prix Ars Electronica’s Interactive Art + category.
A school project entitled kameleon.ws is the recipient of the 2016 Prix Ars Electronica’s special netidee prize. Ernst Langmantel, one of the directors of netidee, told us what he especially likes about this project and briefed us on Austria’s largest campaign to support innovation online.
We zoom into a world that’s incessantly in motion, one in which everything is connected to everything else and the figures are constantly morphing. This animated film by Boris Labbé has been singled out for recognition with a Golden Nica by the 2016 Prix Ars Electronica.
We proudly present the 2016 winners of the Prix Ars Electronica. A total of 3,159 entries from 84 countries were submitted for prize consideration to the world’s most time-honored media arts competition. Here’s a quick briefing on the grand prize winners.
MAXON, a Germany-based software developer, has been creating 3-D graphic tools since the mid-1980s. Cinema 4D is one of them. In association with Maxon, the Ars Electronica Animation Festival will showcase prizewinning works of computer animation in September 2016.
20 international experts convened in Linz April 7-10, 2016 to single out outstanding works of media art for recognition in four categories and to bestow Golden Nicas on the four best. We accompanied the four juries over the course of this long and very productive weekend.
What does interactive actually mean? We touch something and then experience the upshot of that act? Or does interactivity already come about when we view an image? Victoria Vesna, a 2016 Prix Ars Electronica juror, talked to us about defining interactive art, and elaborated on something she learned about it from media artist Roy Ascott.
By the time we set up our own Facebook account—by then, at the very latest—many of us are very much aware of the advantages and disadvantages inherent in our digital coexistence. Marleen Stikker founded her first Digital City all the way back in 1994. Now she’s one of the five Prix Ars Electronica jurors who are evaluating this year’s entries in the Digital Communities category.
You need to know how to balance the flavours. Mari-Liis Rebane, a juror in the 2016 Prix Ars Electronica’s Computer Animation / Film / VFX category, recently talked to us about the ingredients that go into an animated film that makes for tasty viewing.