What leads to success? Why are some people successful and others aren’t? And is there a recipe for success? Journalist/moderator Claudia Reiterer’s new book “The Popcorn Effect: From Dream to Success” deals with these very questions. At the first meeting of the UGL Women’s Network, the author gave a reading in the Ars Electronica Center, where she also gave us an interview.
The European Space Agency (ESA) annually stages two international workshops for teachers from its member states. ESERO Austria made it possible for two Austrian teachers to take part in this year’s workshop in The Netherlands. Here’s an account of how it went.
Clothing made of desert plants or organic plastics, rediscovered technologies and state-of-the-art high-tech top the list of attractions at DE/MATERIALIZE, a showcase of exciting work being done by students in Linz Art University’s Fashion & Technology program, on November 23, 2017 in Ars Electronica’s Deep Space. Fashion designer Ute Ploier, the program’s director, gave us a preview in this discussion of fashion, technology, sustainability and the future of the fashion industry.
The Urban Dance Styles program at Anton Bruckner University and the Urban Artists dance collective cordially invite you to attend a performance at the Ars Electronica Center during the upcoming Long Night of the Stages on November 11, 2017. In this interview, Markus Eggensperger, Urban Dance Styles program coordinator, clues us in about Pop, Lock, Break and the world of urban dance cultures.
A CanSat competition is being staged for the first time in Austria during this school year by ESERO Austria. The assignment: build a so-called CanSat, a satellite the size of a soft drink can that’s able to measure air temperature & pressure and carry out a second mission of the designer’s choice. November 5, 2017 is the entry deadline for teams of students. Find out more in this interview!
The “Brains for Everybody” series of talks at the Ars Electronica Center provides periodic briefings on the latest findings in brain research and methods used in that field. In a special edition, Dr. Selina Wriessnegger explained what brain-computer interfaces are, how they’re used, and what the internet has to do with them. She puts it in a nutshell in this interview.
Fascinating peeks into the world of industry and lots of hands-on fun were in store for youngsters at this year’s Kids’ Day event sponsored by the Industrial Association of Upper Austria. At workshops staged by manufacturers headquartered throughout the region, kids tinkered and soldered, built cool stuff and had an amazing time! Check out our Photo Gallery.
Our festival Saturday made an exciting start into the weekend: With the Helper’s Conference, the final hours of the Hackathon, an organic farmer’s market, the Expanded Animations Symposium, the Prix and STARTS Forums, and of course countless exhibitions full of state-of-the-art media art, the festival was once again filled to the brim with wonderful events. Let’s have a look!
This year’s Golden Nica in the Computer Animation/Film/VFX category goes to David OReilly for “Everything,” his game that literally lets you play with everything—from the tiniest atom to the biggest galaxy. In this interview, the artist and game developer tells more about his work.
The Ars Electronica Festival annually transforms the mini-metropolis Linz into the global hotspot of media art that attracts tens of thousands of visitors. Karl Schmidinger, technical director of the Ars Electronica Festival, tells us in this interview how he and his crew make it possible for this big show to go on!
The idea seems so simple—Rock Print, a STARTS Prize honoree, demonstrates how to build a large structure out of only gravel and wire. But behind the seeming simplicity is the difficulty of implementing the concept in real life. In this interview, Matthias Kohler and Fabio Gramazio of ETH–Swiss Federal Institute of Technology in Zürich tell why the joint project with the Self-Assembly Lab at MIT was such a surprise to both the construction industry and the STARTS Prize jury.
The Bruckner Orchester’s new chief conductor, Markus Poschner, is not only making some significant changes at Linz’s Brucknerhaus concert venue; he’s also giving a creative makeover to the Big Concert Night at the Ars Electronica Festival. The first such event on which he’s made his mark is set for Sunday evening, September 10, 2017. He tells us more in this interview.
Man meets artificial intelligence in a performance entitled “Corpus Nil.” Depending on the tension and posture of artist Marco Donnarumma’s body, an artificially intelligent algorithm modifies the light and sound on stage. Festivalgoers will be able to experience this spectacle live at the Big Concert Night on Sunday, September 10, 2017. In this interview, Marco Donnarumma goes into the background of his impressive performance.
A monk who’s also an expert in artificial intelligence is one of the speakers at the 2017 Ars Electronica Festival’s Opening Symposium as well as the artificial intelligence Theme Conference. Zenbo Hidaka will discuss the latest technologies, artificially intelligent machines, and spirituality on September 7th and 8th. Here, he provides some initial insights into his field of expertise.
An Austrian premiere concludes the Festival on Monday, September 11, 2017. Maki Namekawa will perform all 20 of Philip Glass’ piano etudes accompanied by artist Cori Olan’s real-time visualizations. The duo will also present a daily demonstration of their virtuosity in Deep Space 8K. Maki Namekawa tells us more in this interview.
Networking, meeting new people and exchanging ideas with experts—that’s what’s up at ZusammenKommenLab [ComingTogetherLab] at Ars Electronica 2017. On all five days of the festival, ZusammenHelfen in Oberösterreich [HelpingTogether in Upper Austria], your go-to source for ways to help refugees, will be showcasing projects by, with and for immigrants and refugees.
Mark Coeckelbergh, a philosopher of technology, will deliver a speech on intelligent machines and art on Friday, September 8, 2017 at the symposium limning the Ars Electronica Festival theme, “Artificial Intelligence – The Other I.” In this interview, he goes into how culture shapes technology and what characterizes our dealings with artificial intelligence today.
The WKOÖ [Economic Chamber of the State of Upper Austria] represents the interests of the regional business community. The UBIT, its group for business consultants, accountants and IT specialists, is sponsoring the guided tours at this year’s festival. We talked to Chairman Markus Roth to learn more.
Theater & Digital Media is debuting as a focal-point topic at Ars Electronica this year. September 7-11, 2017, this conclave is hosting encounters of, among others, traditional institutions such as Linz’s Landestheater and performative experiments like “Breaking the Wall” by Chris and Didi Bruckmayr. In this interview, we found out how digital media are changing both classical theater and experimental performances.
This is the second year that the Ars Electronica Festival is hosting a “Perspectives on Political Education” symposium. This series of events under the aegis of Pädagogische Hochschule OÖ [state teachers college] is set for September 7-8, 2017. This year’s theme: “The world is my world. How much globalization can humankind stand?” Stefan Giegler told us what’s in store.
Artificial intelligence is the theme of this year’s Ars Electronica. The 2017 media art festival’s encapsulating motif is provided by the “Beyond Humans” research project. The respective roles played by the android and the chimp depicted in this image were elaborated on by the project’s scholarly director, Ramiro Joly-Mascheroni.
Night owls and music fans are in for a real treat at the 2017 Ars Electronica Festival. The Opening extravaganza on Thursday, September 7th and the Nightline on Friday, September 8th offer highly danceable riffs conducive to high-energy nights. We sat down with the Salon 2000 curatorial team to find out more.
A project entitled “Not Your World Music: Noise in South East Asia” by artists Dimitri della Faille and Cedrik Fermont is one of the very few works about noise & sound art in Southeast Asia. In this interview, the 2017 Golden Nica winners talk about how they got involved in such a huge endeavor and their experiences during this journey of discovery.
The CyberArts exhibition running during the Ars Electronica Festival September 7-11, 2017 once again showcases this year’s Prix Ars Electronica prizewinners. In this interview, the exhibition staff tells us about the show and the accompanying program of events including OK Night.
An annual feature at the Ars Electronica Festival, CREATE YOUR WORLD, the future festival of the next generation, shows young people the ideas and technologies they’ll be using to change our world. Hans Christian Merten, director of CREATE YOUR WORLD, told about all the great stuff youngsters will be seeing, trying out and exploring September 7-11.
Configuring the 80,000-square-meter interior of POSTCITY Linz with lucid structures conducive to exhibiting media art is no easy task. But the architects at ANY:TIME took up this challenge and are working out a suitable framework for the artwork at the 2017 Ars Electronica Festival. Here, they discuss their approach.
One thing the 2017 Ars Electronica Festival definitely won’t be is boring! Lots of fascinating new features await festivalgoers September 7-11. Ars Electronica Artistic Director Gerfried Stocker told us about what’s new on this year’s lineup.
Screenings, symposia and hands-on adventure with virtual reality installations—there’s a lot doing at this year’s Ars Electronica Animation Festival September 7-11, 2017. We met up with the production team to find out more about the program, the participating artists and their works.
POINT ZERO, the exhibition elaborating on the Ars Electronica Festival’s theme, “Artificial Intelligence – The Other I,” (September 7-11, 2017) takes on big questions. What is the essence of a human being? Of a machine? Or, for that matter, of data? We sat down for a chat with Ars Electronica Artistic Director Gerfried Stocker to get a few initial clues.
A Helpers Conference organized by ZusammenHelfen in Oberösterreich (Helping Together in Upper Austria) will once again be held during the Ars Electronica Festival. Volunteers who work with refugees will gather for an exchange of information and ideas on Saturday, September 9, 2017 in POSTCITY Linz. Nicole Sonnleitner of ZusammenHelfen in Oberösterreich told us more.