How does one blend innovation and tradition? Technology and handicraft? The zeitgeist with a time-honored history? In three projects commissioned in conjunction with the makeover of Café Sacher Eck, Ars Electronica Solutions had the opportunity to come up with answers. In this interview, Solutions project manager Harald Moser and Reiner Heilmann, director of Hotel Sacher in Vienna, provide insights into their collaboration.
2018 is European Year of Cultural Heritage, and the Ars Electronica Center is taking part by hosting several events devoted to our cultural heritage throughout the year. Kicking things off will be a themed weekend on January 27-28, 2018 in Deep Space, where one of the featured speakers will be Stefan Traxler, archeologist at Upper Austria’s Landesmuseum. In this interview, he discusses cultural heritage and his upcoming talks as well as how technology has changed archeology.
What are the possibilities of swarm intelligence? How can drones be used to make transportation and communications easier? The Ars Electronica Futurelab is working together with Japanese telecommunications company NTT to find answers. In this interview, Hideaki Ogawa of Ars Electronica Futurelab and Shingo Kinshita of NTT tell us about their efforts.
What leads to success? Why are some people successful and others aren’t? And is there a recipe for success? Journalist/moderator Claudia Reiterer’s new book “The Popcorn Effect: From Dream to Success” deals with these very questions. At the first meeting of the UGL Women’s Network, the author gave a reading in the Ars Electronica Center, where she also gave us an interview.
Clothing made of desert plants or organic plastics, rediscovered technologies and state-of-the-art high-tech top the list of attractions at DE/MATERIALIZE, a showcase of exciting work being done by students in Linz Art University’s Fashion & Technology program, on November 23, 2017 in Ars Electronica’s Deep Space. Fashion designer Ute Ploier, the program’s director, gave us a preview in this discussion of fashion, technology, sustainability and the future of the fashion industry.
The “Brains for Everybody” series of talks at the Ars Electronica Center provides periodic briefings on the latest findings in brain research and methods used in that field. In a special edition, Dr. Selina Wriessnegger explained what brain-computer interfaces are, how they’re used, and what the internet has to do with them. She puts it in a nutshell in this interview.
What can you do when your hair suddenly falls out? What are the causes of hair loss, and do attractive wigs even exist? Hairdresser Peter Fuchs, gynecologist Peter Oppelt and plastic surgeon Matthias Koller provide answers at a Deep Space LIVE event. We learned more in this interview.
Our festival Saturday made an exciting start into the weekend: With the Helper’s Conference, the final hours of the Hackathon, an organic farmer’s market, the Expanded Animations Symposium, the Prix and STARTS Forums, and of course countless exhibitions full of state-of-the-art media art, the festival was once again filled to the brim with wonderful events. Let’s have a look!
This year’s Golden Nica in the Computer Animation/Film/VFX category goes to David OReilly for “Everything,” his game that literally lets you play with everything—from the tiniest atom to the biggest galaxy. In this interview, the artist and game developer tells more about his work.
The Ars Electronica Festival annually transforms the mini-metropolis Linz into the global hotspot of media art that attracts tens of thousands of visitors. Karl Schmidinger, technical director of the Ars Electronica Festival, tells us in this interview how he and his crew make it possible for this big show to go on!
The idea seems so simple—Rock Print, a STARTS Prize honoree, demonstrates how to build a large structure out of only gravel and wire. But behind the seeming simplicity is the difficulty of implementing the concept in real life. In this interview, Matthias Kohler and Fabio Gramazio of ETH–Swiss Federal Institute of Technology in Zürich tell why the joint project with the Self-Assembly Lab at MIT was such a surprise to both the construction industry and the STARTS Prize jury.
The Campus exhibition that Linz Art University has hosted during the Ars Electronica Festival since 2002 extends an invitation to an art college from a foreign country to come to Linz and showcase the work being done there. This year’s guest is the University of California at Los Angeles. In this interview, Professor Victoria Vesna gives us a preview of UCLA’s exhibition, FEMINIST CLIMATE CHANGE: Beyond the Binary.
Man meets artificial intelligence in a performance entitled “Corpus Nil.” Depending on the tension and posture of artist Marco Donnarumma’s body, an artificially intelligent algorithm modifies the light and sound on stage. Festivalgoers will be able to experience this spectacle live at the Big Concert Night on Sunday, September 10, 2017. In this interview, Marco Donnarumma goes into the background of his impressive performance.
One thing the 2017 Ars Electronica Festival definitely won’t be is boring! Lots of fascinating new features await festivalgoers September 7-11. Ars Electronica Artistic Director Gerfried Stocker told us about what’s new on this year’s lineup.
The first day of the 2016 Ars Electronica Festival started with a lot of exhibition openings – from the Alchemists at POSTCITY to the CyberArts opening at OK Center for Contemporary Art, there was lots to see. In the evening, the grand Opening set the musical tone for the coming weekend.
It’s less than 24 hours until the grand opening of the 2016 Ars Electronica Festival. Needless to say, the preparations are going full speed ahead. Here, we take one last tour before the exhibitions, conferences and performances begin on September 8, 2016.
An exhibition produced jointly by Moscow’s Polytechnic Museum and Ars Electronica Export presents new takes on the future of our planet. “EARTH LAB – Artists as Catalysts” shows how artists from all over the world see Earth. Here, we show you a few impressions.