At the next Deep Space LIVE on February 22, 2018, Maria Altrichter of the Municipal Archive will take us back to a time way before Linz became Steel City. What was it like when Johannes Kepler lived here? What impact did historical events in the 17th century have on Upper Austria’s capital? Maria Altrichter gave us a preview in this interview.
Museum Total is back by popular demand! This event, which is being held for the fifth time this year, is set for February 22-25, 2018. One ticket admits the holder to nine Linz museums—the AEC among them—over the course of four days. What’s lined up? Nicole Grüneis, director of Ars Electronica’s Education and Cultural Outreach department, tells us in this interview.
School of the Future creates the setting for discussions about technology, society and art right in the middle of Tokyo. The format consists of a regular series of temporary exhibitions and round-table discussions that the Ars Electronica Futurelab stages in the Tokyo Midtown complex in the heart of Japan’s megalopolis. Sound interesting? Read on!
Born in Linz in 1894, Klemens Brosch went on to become one of 20th-century Austria’s most outstanding graphic artists, best known for his magical landscapes and melancholy imagery. Deep Space is now featuring jumbo-format projections of some of his small-scale drawings.
What does media art have to do with books, you might ask? The Frankfurt Book Fair just launched its first endeavor to directly connect with the creative economy—THE ARTS+, a new platform for books, art and technology.
In autumn 2015, the English artist duo Semiconductor started a two-month residency at CERN. Here, they are providing us a visual progress report of their research at the world’s largest particle physics research facility in Geneva.
The question of the starting point, the Materia Prima of our world, quickly comes up when art gets in contact with science and vice versa. The correspondent exhibition of Ars Electronica and LABoral in Spain deals with the interaction of these two fields.
New perspectives, inspiring connections and a better understanding of contexts. Artists of the exhibition “Elements of Art and Science” talk about what they expect from the linking of both areas.
The European Art and Science Network is once again offering interested artists the chance for a creative sojourn at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Linz. Here’s an account of how the first such residency played out.
María Ignacia Edwards is the recipient of an extraordinary opportunity under the aegis of art & science: a residency at the European Southern Observatory (ESO) in Chile and at the Ars Electronica Futurelab in Linz. We accompanied her on her pre-visit in Chile
What is beauty, actually? With this question in mind, visitors of the Schlossmuseum Linz enter the current exhibition “The Beauty Myth” – equipped with the smartphone and the FOCUS app of the Ars Electronica Futurelab.
The recipient of the Residency staged under the auspices of the Art & Science Network has been announced. Maria Ignacia Edwards was selected from among the 140+ applicants from 40 countries who responded to the open call.
Lale Eric Dobrivoje from the Center for the Promotion of Science, Richard Kitta and Michal Murin of DIG Gallery discussed how science and art can benefit from one another and what those submitting a project to the Open Call of the art&science network ought to keep in mind.
In this interview, Robert Devcic, director of GV Art, and Oscar Abril, artistic director of LABoral, speak about their expectations from the European Digital Art and Science Network.
The Kapelica Gallery and Zaragoza City of Knowledge Foundation are two partners of the art & science network. In the interview, they present their expectations.
Fernando Comerón, the ESO’s representative in Chile, talks in the interview about what winners of the open call of the „European Digital Art and Science Network“ can expect during their residency at the ESO.
Diane McSweeney gives us a briefing on Science Gallery Dublin, an “art & science” partner institution, and discusses her expectations of the art-science encounter.
„European Digital Art and Science Network“ is the title of the just launched initiative by Ars Electronica, which aims to combine scientific topics with creative and innovative approaches to digital art.
“The more powerful this technology and the machines are, the more powerful is also the code that drives these machines”. Gerfried Stocker talks about the relationship between code and art.