Museum Total is back by popular demand! This event, which is being held for the fifth time this year, is set for February 22-25, 2018. One ticket admits the holder to nine Linz museums—the AEC among them—over the course of four days. What’s lined up? Nicole Grüneis, director of Ars Electronica’s Education and Cultural Outreach department, tells us in this interview.
How does one blend innovation and tradition? Technology and handicraft? The zeitgeist with a time-honored history? In three projects commissioned in conjunction with the makeover of Café Sacher Eck, Ars Electronica Solutions had the opportunity to come up with answers. In this interview, Solutions project manager Harald Moser and Reiner Heilmann, director of Hotel Sacher in Vienna, provide insights into their collaboration.
A new year, a new opportunity! The Prix Ars Electronica seeks outstanding works of media art. The entry deadline is March 2nd. Prizewinners receive cash awards of up to €10,000 per category and a featured appearance at the 2018 Ars Electronica Festival. In this interview, Ars Electronica Artistic Director Gerfried Stocker talks about this time-honored media art competition and presents this year’s categories.
The “Waltraut Cooper. Light and Sound” exhibition co-produced by the Ars Electronica Center is running until January 21, 2018 at Landesgalerie Linz. We spoke with media artist Waltraut Cooper about media art in the 1980s, her fascination with light, and her works on display at Landesgalerie.
Experimental musicians Karen Schlimp, Jaap Blonk and Klaus Hollinetz take us along on a sonorous journey through the human skin this Friday, December 1, 2017. In a concert entitled “UNDER YOUR SKIN/Bodyterms” in Deep Space 8K, they’ll play on medical terminology, through scores made of microscope images, and with the full range of their instruments’ possibilities.
Our festival Saturday made an exciting start into the weekend: With the Helper’s Conference, the final hours of the Hackathon, an organic farmer’s market, the Expanded Animations Symposium, the Prix and STARTS Forums, and of course countless exhibitions full of state-of-the-art media art, the festival was once again filled to the brim with wonderful events. Let’s have a look!
The Campus Exhibition at this year’s Ars Electronica Festival showcases Linz Art University’s Interface Cultures program. “Made in Linz” includes recent works of media art by undergraduates. The program’s founder and director, Christa Sommerer, offers some pre-show insights.
A top foreign university will once again be featured in the Campus Exhibition at the 2017 Ars Electronica Festival. This year’s special guest is UCLA–The University of California at Los Angeles. Here, Professor Victoria Vesna gives us a preview of the “Feminist Climate Change” exhibition and an account of how media art gained admission to college.
Entries to the competition to determine the honorees of the 30th Prix Ars Electronica are now being accepted! Four Golden Nica statuettes and prizemoney of up to €10,000 in each category await this year’s outstanding media artists. But what’s the story with gender distribution among Prix Ars Electronica prizewinners? We discussed this issue with Gerfried Stocker and the Prix Ars Electronica staff.
With his light organ, the Russian artist Bulat Galeev has already experimented in the 1960s with the interplay of art and science. The musical instrument has now brought back to life by Natalia Fuchs, curator of the Polytech.Science.Art Week.
The Prix Ars Electronica is back for another year, and there’ve been some notable innovations. A recap of the details follows. Entries for prize consideration can be submitted immediately. The deadline is March 13, 2016.
The British artist, theoretician and visionary thinker’s oeuvre has been a formative influence on the work of many media artists worldwide. In this interview with the recent Golden Nica honoree who’s about to turn 80, Roy Ascott talks about how he connected with Ars Electronica and the dangers threatening those who create interactive art today.