The FEAT Project staged seven nine-month residencies in which artists worked together with scientists at the interface of art and technology. At the FEAT interview panel on Saturday, September 9, 2017 at the Ars Electronica Festival, panelists will discuss why this collaboration can occasionally be difficult but is rewarding nevertheless.
The artists collective Quadrature began Part 2 of their art & science residency at the Ars Electronica Futurelab a few days ago. The three artists spent the first part at the European Southern Observatory (ESO) in Chile in late May. To find out what they experienced, why they found everything there absurd and what they think about habitable exoplanets, read this interview.
Aoife van Linden Tol takes printed objects that are endowed with emotions and gives them a new start. In her performance “Second Story,” she blows up old photos, passports, love letters, etc. in controlled explosions. Here, she tells us how her first test detonation went, what we can expect in her September performance, and how we can submit stuff to get blown to smithereens!
“The Conduit” is part performance, part interactive installation that investigates social engagement and the consequences of speculative technological and political frameworks. Participants will negotiate an 8 bit simulation of the future and its effects on our everyday social interactions. The Society for Cultural Optimism has developed a framework for the creation of a future society, which ought to be established by the visitors of the Ars Electronica Deep Space 8K.
Nanoparticles have become an essential part in the food chain as they provide better fluid properties, color and preservation. Science classifies them at least as critical. In contrast, nanomachines, or so-called nanobots are applied in the cure of cancer. In the course of the third SPARKS-residency at the Ars Electronica Futurelab, Jakob and Lea Illera have developed the medical gain further in the guise of nanobots. They function as messengers to block the appetite for unhealthy food and should rid the world of problems from obesity.
The artist and second SPARKS-resident, Lucy McRae, is a representative of the genre Science Fiction. She came to Linz in order to shoot scenes for her film-project which is her approach to the topic of “Responsible Research and Innovation” – the research objective of the SPARKS-program. Compared to her predecessor, Anouk Wipprecht, who built a fashionable wearable, the Australian body architect Lucy McRae focuses on the possibility of adapting the human body to extraordinary situations.
The well-known Fashion-Tech Designer has worked the communication aspects of her apparel into an unicorn-shaped headset. During her stay at Futurelab she teamed up with a team of Neuroscientists and experts, creating an accessory that logs the wearer’s observations through EEG.
We are pleased to announce the names of the artists who will be coming to the Ars Electronica Futurelab to develop exhibits for the Sparks project!